ARROW VIDEO FRIGHTFEST EXCLUSIVE: A Conversation with THE RANGER Director Jenn Wexler Ahead of FrightFest
Jenn Wexler is a producer and director, known for The Ranger (2018), Darling (2015) and Psychopaths (2017).
In THE RANGER, Teen punks, on the run from the cops and hiding out in the woods, come up against the local authority - an unhinged park ranger with an axe to grind.
In this interview, Jenn talks about her love of the Punk movement, casting Chloë Levine and Jeremy Holm and making her feature film directorial debut. She also talks about her the first horror film she saw...
What is it about the Punk movement you like so much? It informs so much of THE RANGER…
I’m incredibly drawn to punk’s spirit of rebellion and its embracing of individuality. Growing up in the suburbs, there was so much pressure to fit in, to be seen as “normal,” and going to punk shows was thrilling for me because it helped me realize it was okay to want other things. I went to college in Philadelphia at the University of the Arts and studied screenwriting, where my classmate, Giaco, wrote a script that would eventually become THE RANGER. I fell in love with the concept of a group of punks going up against this figure of authority, someone who deems them less than, because they don’t conform to what he values as worthy. I find personality types like this terrifying-- ones that say you have to fit into some cookie-cutter mould or else you’re living your life wrong. Punk is all about fighting that.
You started out at Larry Fessenden’s Glass Eye Pix in the marketing department and moved on to producing. But was it always your ambition to direct?
I’ve always wanted to direct and was directing shorts while working in marketing, but to direct a feature, I wanted to first understand as much as possible about filmmaking. Producing films like DARLING, LIKE ME and MOST BEAUTIFUL ISLAND was invaluable, it taught me so much. When you’re a hands-on producer, you’re in the trenches with directors, helping them realize their visions, weathering the pitfalls and celebrating in the triumphs through every stage of the process.
THE RANGER is your feature debut so what was important for it to be about and what did you want it to achieve artistically?
I wanted to combine the outrageous, absurd humour of 80s punk movies with the thrill of the slasher, all circling around a girl who’s trying to figure herself out in the face of others telling her who she should be. Throughout the film, Chelsea is trying to unravel memories about her childhood, which informed the bubblegum, candy
coloured aesthetic — sweet on the outside but getting sour the more her memories are revealed. Overall I wanted the film to have an EC Comics vibe, to feel larger than life, with the world of the punks and the world of the Ranger colliding, both visually and musically. We start the film in the punk club, with all these insane colours, and when the punks escape to the woods they bring those colours with them, invading The Ranger’s rustic, Smokey-the-Bear parkland.
Should we make something relevant out of SCREAM being the first horror film you ever saw?
I’ve been drawn to scary stuff since I was a kid. I was obsessed with the television show ARE YOU AFRAID OF THE DARK and would try to get my friends to hang out with me in graveyards after school. I was 10 years old when SCREAM came out, and I remember overhearing a conversation between my mom and one of her friends about how utterly horrible this new movie was, my mother completely disturbed by the description of the sweet little girl from ET hanging from a tree with her insides out. My curiosity was more than piqued. At a sleepover party soon after, someone had the VHS. I felt a supreme sense of rebellion watching the movie, knowing how much it would freak out my mom. It became more than rebelling against my parents, though. It was like an entirely new world had been revealed to me. SCREAM ushered me into adolescence, and I became obsessed with the teen horror movies of the time, including THE CRAFT, I KNOW WHAT YOU DID LAST SUMMER, URBAN LEGEND, DISTURBING BEHAVIOUR, THE FACULTY, with BUFFY THE VAMPIRE SLAYER my favourite TV show. As with my discovery of punk, they offered me a sense of adventure and an emotional escape from the tedium of being a kid in suburbia. Eventually they gave way to my discovery of the rich history of the genre. I think a lot of what you see when you’re in your early adolescence informs your development as an artist and as a human, and I can say the 90s teen slasher craze informed mine.
Why did you choose Chloë Levine as Chelsea and Jeremy Holm as the Ranger?
Jeremy is a friend of co-writer Giaco Furino, so we wrote the part with Jeremy in mind. I was a fan, watching him in HOUSE OF CARDS and MR ROBOT. When at long last we showed him the script, we were very happy to find out that he loved it! We had a meeting and we all clicked. He was the first person we cast.
We worked with casting director Lois Drabkin who suggested, while I was at SXSW 2017, I check out Chloë Levine in THE TRANSFIGURATION. Her performance was mesmerizing, and we ended up having a meeting at the festival. We bonded over the character, and I could tell she would bring so much nuance to the role.
THE RANGER opens Arrow Video FrightFest on Thursday 23rd August, Cineworld Leicester Square